Otto is a handsome, sensitive, neo-Goth zombie with an identity crisis. He wanders the streets of the city, never sleeping, until one day he auditions for a zombie film. The director, revolutionary Medea Yarn, is convinced that Otto is the personification of the effects of advanced capitalism on individuals. Medea begins making a film about Otto, while simultaneously shooting a film about a gay zombie revolt against consumerist society. As Medea directs the final, orgiastic scene of her film, Otto struggles to access the human emotions buried beneath his zombie exterior.